Brightness and Units of Light Measurement
This is a small, but by no means short, introduction to illumination and lighting as it pertains to garden lighting.
Use these ideas tips and techniques to sharpen your skills or build a better understanding and I will contue to add useful content to make the lighting experience easier.
1 footcandle is equal to 10 Lux (10.764 Lux)
Think about the lighting in the room you are sitting in right now. How would you describe the lighting level? Bright? Medium-bright? Dim?
This is exactly the language that we will use here to avoid too much reliance on terminology so that we dont have to imagine a footcandle.
Planning is key in your garden lighting success. The more complex your vision, the more you will need to do to keep the details, and budget, under control.
For example, a small garden may require simple "at a glance" planning, but a large garden or patio may require a hand-drawn plan.
USING COLOUR.
I realized that you might be looking for information on using coloured garden light. Here is a good place to begin.
IES Illuminance Values for Indoor Activities
ACTIVITY CATEGORY LUX FOOTCANDLES ---------------------------------------------------------------------- Public spaces with dark A 20-30-50 2-3-5 surroundings ---------------------------------------------------------------------- Simple orientation for short B 50-75-100 5-7.5-10 temporary visits ---------------------------------------------------------------------- Working spaces where visual C 100-150-200 10-15-20 tasks are only occasionally performed ---------------------------------------------------------------------- Performance of visual tasks of D 200-300-500 20-30-50 high contrast or large size ---------------------------------------------------------------------- Performance of visual tasks of E 500-750-1000 50-75-100 medium contrast or small size ---------------------------------------------------------------------- Performance of visual tasks of F 1000-1500-2000 100-150-200 low contrast or very sm size ---------------------------------------------------------------------- Performance of visual tasks of G 2000-3000-5000 200-300-500 low contrast or very sm size over a prolonged period ---------------------------------------------------------------------- Performance of very prolonged H 5000-7500-10000 500-750-1000 and exacting visual tasks ---------------------------------------------------------------------- Performance of very special I 10000-15000-20000 1000-1500-2000 visual tasks of extremely low contrast ---------------------------------------------------------------------- A-C for illuminances over a large area (ie lobby space) D-F for localized tasks G-I for extremely difficult visual tasks
To succeed, we need to create three types of lighting effects
. Focal glow, ambient luminescence, and sparkle or "play of brilliants".
A good way to think about your garden
and you may already be thinking this
is as a series of stages or scenes. Create points of interest along an organized path.
Unlike the daytime, night time offers us a unique opportunity to design with light by highlighting selected points of interest along the path. We dont have to illuminate an entire outdoor area with one light source or et the same level of illumination. We may choose several points of interest in the garden and illuminate them separately.
Ambient luminescence: this general lighting catches our attention , provides a basic lighting level for "seeing". It creates a area of interest for the viewer. Think of this as lighting a corner of your stage.
Ambient luminescence ensures that the surrounding space, its objects and the people there are visible
Focal glow: Directs our attention to details we wish to emphasize. Think of this as spotlighting an actor or special object on your stage.
natural special effects
Play of Brilliants: These are the natural special effects of light when light interacts with its environment. Play of light and shadows. The sparkle of dancing flame. Light filtered through branches and light twinkling in moving water.
A Prism
ABOVE and TOP,
We have come to use the terms warm-white and cool-white to describe the amount of red or blue present in artificial light.
White light is actually composed of an entire spectrum of both visible and invisible light called... guess what? ...The Spectrum.
You may demonstarate this phenomenon for yourself if you have a prism on hand to break a beam of white light into its basic components.
The amount of red or blue present in white light is refered to as its Colour Temperature and though it might be a little counter-intuitive, red is at the bottom of the scale and cooler while blue is at the top of the scale and hotter. Colour Temperature is measured in degrees Kelvin.
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